![]() They had lined up the orchestra in London, the London Philharmonic for September, and Peter wanted to keep cutting. GILBERT: It was pretty tight actually, we were supposed to be finished in September so that we could go into sound, and we weren’t quite finished. HULLFISH: Obviously, you finished editing before the movie was released. Fox and Seth Rogan after collecting an Oscar for editing Hacksaw Ridge. HULLFISH: It has been 20 years since you cut this movie… so even longer since you finished cutting it, correct? ![]() ![]() I’m thrilled to have him back on the show to discuss this epic film and the decisions, discussions, challenges and victories of editing The Lord of the Rings.Ĭheck out the Art of the Cut podcast to listen to this interview, and stay up to date on all the latest episodes. John has been a previous guest on Art of the Cut for his work on the movies Adrift and Hacksaw Ridge-for which he won a BAFTA and an Oscar and was nominated for an ACE Eddie. Since editing The Lord of the Rings, Gilbert has cut films including Bridge to Terabithia, The Bank Job, The Killer Elite and Chasing Mavericks. Collaborating with Jackson in the cutting room was John Gilbert, ACE, who was nominated for a BAFTA, an ACE Eddie, and an Oscar for his work on the film. It’s been 20 years since Peter Jackson’s landmark film premiered in theaters. Welcome to a special Art of the Cut interview, celebrating the 20th anniversary The Lord of the Rings: Fellowship of the Ring.
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